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The reissue of a long-forgotten classic MAEROR TRI album with stunning new artwork and newly remastered sound. Back in 1997, it turned out to be the last album by this experimental trio of German droners composed of Stefan ‘Baraka[h]’ Knappe, Martin ‘GLITCH’ Gitschel and Helge Siehl. The former two later formed TROUM (Zoharum releases: “Autopoiesis / Nahtscato” and “Seeing-Ear Gods” (A Continuous Journey in Six Parts) and the latter 1000SCHOEN. During their nine-year existence, they recorded a handful of albums and cassettes with their unique mixture of minimalism, industrial, ambient and drone, exploring the brains of potential listeners. „Emotional Engramm” is MAEROR TRI 's most refined effort to date. After years of experimenting, the group came to a characteristic sound composed of layers of electrically/electronically-treated acoustic instruments. Their organic sound achieved the most accessible form on „Emotional Engramm”;. Clocking in at just under 80 minutes, the seven tracks presented here show Maeror Tri at its best.
The reissue is presented in a lavish 6-panel digipak designed by Marcin Lojek (Ibsen Design, New Nihilism label, Mantichora and Schmerz bands) with a foreword by Martyn Bates (EYELESS IN GAZA). The album has been faithfully remastered by Lukasz Miernik (Dead Cat Mastering).
**Deluxe gatefold reissue, re-mastered and cut by Stefan Betke (Pole), including 14 minute bonus track. David Stubbs, Melody Maker, 1997: "The best ambient album i've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty"** Finally available again. Ambient albums don't come much more highly respected than 'Substrata', it's a veritable milestone in electronic music. Geir Jenssen, better known to most as Biosphere, managed to compile his grand statement in 'Substrata' - a collection of tracks which best sum up his music and grand vision. Electronic drones, lightly plucked guitar, field recordings and haunting film samples are all thrown into the mix to create something which is less like listening to an album and more like watching a film. I think I can safely say that without this album ambient electronic music would look totally different. Jenssen was the first artist to incorporate all these peculiar elements into his music so successfully and without a hint of cynicism or the stench of new age, and when it was released back in 1997 of course it made waves in the music scene. Essential electronic music.

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